Comedy	History	Tragedy	Poetry
All’s Well That Ends Well As You Like It The Comedy of Errors Cymbeline Love’s Labours Lost Measure for Measure The Merry Wives of Windsor The Merchant of Venice A Midsummer Night’s Dream Much Ado About Nothing Pericles, Prince of Tyre Taming of the Shrew The Tempest Troilus and Cressida Twelfth Night Two Gentlemen of Verona Winter’s Tale	Henry IV, part 1 Henry IV, part 2 Henry V Henry VI, part 1 Henry VI, part 2 Henry VI, part 3 Henry VIII King John Richard II Richard III	Antony and Cleopatra Coriolanus Hamlet Julius Caesar King Lear Macbeth Othello Romeo and Juliet Timon of Athens Titus Andronicus	The Sonnets A Lover’s Complaint The Rape of Lucrece Venus and Adonis Funeral Elegy by W.S.

Supplementary Material

The Art of Classical Thinking: A Look at Shakespeare’s Legend Plays by Terry Hook

Why the British Hate Shakespeare by Christopher White (1980)

Shakespeare as Historian by Gerry Rose

Classes

Uncovering the Mystery of the Real Shakespeare by Leni Rubinstein

Tragedy as a Weapon Against Oligarchism by Gerry Rose

To What Purpose are we Drawn to Tragedy? A Study of Shakespeare’s Hamlet by Cynthia Chung

Playing Shakespeare Masterclass with John Barton pt 1-9 (1984)

Playing Shakespeare (1984) part 1: The Two Traditions

Playing Shakespeare (1984): Using the Verse

Playing Shakespeare (1984) : Language and Character

Playing Shakespeare (1984): Speeches and Soliliquees

Playing Shakespeare (1984): Irony and Ambiguity

Playing Shakespeare (1984): Passion and Coolness

Playing Shakespeare (1984): Rehearsing a Text

Playing Shakespeare (1984): Rehearsing a Character

Playing Shakespeare (1984): Poetry and Hidden Poetry